If you choose to shoot at this frame rate your videos will have a cinematic look, although the footage may not seem as smooth as it looks when it is captured at 60fps. However, the footage captured at this frame rate often looks choppy, and for that reason, it is rarely used in modern film and video production.Ģ4 FPS - Unless you are working on a project that demands higher frame rates chances are that the majority of the footage you ever recorded was captured at 24fps. At 16fps you'll be able to get the effect similar to that of a silent movie as the characters will move faster than they normally would. Even if you are trying to recreate the style of silent era movies, it is highly unlikely that you will ever use a frame rate that has less than 16fps, because the video won't have the illusion of movement. Most Commonly Used Frame RatesĪ large majority of DSLR and movie cameras offer only three different frame rates, the standard 24fps, 30fps for those who want to produce videos in the style of TV shows, and 60fps for sports and all other scenes that involve rapid motion.ġ - 16 FPS - If a frame rate of a video is less than 10fps, the viewers will be barely able to see continuous motion. Using frame rates higher than 30 fps was possible in the early days of cinema, although the results were far from the image quality modern day cameras and displays can produce. The reason for the standardization of the frame rate was the sound, because frame rates were and still are, used to sync the audio and video tracks.įrame rates higher than 24fps were commonly used even before the invention of the television in the 1950's, which used 30fps as an industry standard. In the late 1920's the industry standard frame rate was set to 24fps, and today almost a hundred years later, nearly all movies are filmed at this frame rate. However, in videos with lower frame rates movements appears jerky, while the characters move at unnatural speeds. The human eye can see as much as 10 or 12 images per second and process them separately, while 16fps is already perceived as a movement. Maintaining the permanent frame rate manually is not easy, which is why frame rates were much slower in the early years of cinema, as they varied between 16 to 24 fps. If you increase the number of frames per second the figures in the shot will appear to be moving slower, while if you decrease the frame rate the characters in the shot will move faster, like in the early Charlie Chaplin movies.Īs a matter of fact, during the period when Chaplin made his first silent movies, all cameras were cranked which means that the camera operator had to roll the handle in order to start recording. This means that you can choose the number of stills that are displayed in one second. You can learn more about the types of cuts, crops and trimming you can do in Filmora here.A frame rate is simply the frequency at which independent still images appear on the screen. If you prefer to use a keyboard shortcut instead of press the scissors icon, you can go to Keyboard shortcuts, and under tools we can change the Split shortcut to “C” which for me is easy to remember because it’s C as in Cut. Drag your playhead to the location of the cut and you can click on the scissors icon to make a split and then press the delete key to delete off the excess clip. Basic Cuts or SplitsĬuts or Splits are easy to make in Filmora. If you want to quickly scrub through the timeline just click and hold on the scissors here and drag left or right to move within the timeline. And if you want to render it fully out as a rendered video to view, just click on this button here at any time. You can also choose to play it back at lower resolutions for better speed if you are working in 4k or above. In Filmora X, you can use GPU accelerated playback.
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